How do you know when a poem is finished?
Monday, 19 November 2012
When Jackson Pollock was asked, of painting, “How do you know when you’ve finished?” He replied, “How do you know when you’ve finished making love?”
I’m about to try The Rialto with some poems, having worked on these particular pieces for around two years on and off. At various times I thought they were ‘nearly there’ but after a cooling off period I would dive back in. There were tendons to be stretched, forests to manicure, buried machinery to be unearthed. At a recent work in progress meet up with some friends, I announced that a poem was ‘basically done’ only to spend the next two weeks making one small adjustment after another.
But what does it mean for writing to be ‘finished’? Digitally published texts can be edited at any time and even traditional books are frequently revised between editions and printings. There are three versions of Wordsworth’s The Prelude, or Growth of a Poet’s Mind: 1799, 1805 and 1850 (published posthumously). Paul Valery claimed that “A poem is never finished, only abandoned”. Auden agreed with Valery. He also believed the most painful type of poem for the poet to be “the good ideas which his incompetence or impatience prevented from coming to much”. He revisited some of his published pieces many times over his career. I’ve carried the Valery quote around for a long time but I don’t necessarily agree. There is a point at which the forces in a poem pull the rubble into a whole, like a planet pulling itself into a sphere.
How much landscaping should you do once this has happened? A good rule of thumb might be if you can read your poem without wanting to make a single change. Put it aside for an hour. A night. Show it to someone without having to explain or apologise for it. Work on something else for a few weeks. Inspiration is ongoing: it can grow steadily or quickly, like grass. Your subconscious mind holds on to things long after you’ve put them down. Writing goes deeper and is more mysterious than we think.
The ideal would be to combine the spontaneity of your first thought with patience and clarity. After all, what you have on the page may only be a framework for what you really intend to say. Emanuel Lasker, the great chess master said, “If you find a good move, look for a better one”. You may have a good line, but is there something better? You should be prepared to ask that question for a long time. This means living with the work. Waiting. A poem is a journey. You will cover unexpected distance before it is done. A good amount of that distance is time. Seasons change. A new landscape takes shape.
Am I sure that these poems are finished now? Yes. Maybe. I’ve been celebrating a friend’s birthday with a few ales so my judgement might be impaired. I’ll sleep on it one more night.