Last night I read a fascinating essay in the LA Review of Books on Donald Richie, an expatriate writer in Japan. I was struck in particular by this quote from Richie’s The Inland Sea:
The innocent does not look for reasons behind reasons. He, secure in the animal nature that all of us have and only half of us admit, is able to see that all reality is what the West finds merely ostensible reality. Reality is skin deep because there is only skin. The ostensible is the truth.
Whether he’s right or not, that’s a profound thought in our age of explanations. It reminded me of the scene in Zen in the Art of Archery where another expatriate, Eugen Herrigel is struggling to allow his bow to ‘shoot itself’. His vocation, philosophy, seems to be a major hindrance:
He had, so Mr. Komachiya told me later, tried to work through
a Japanese introduction to philosophy in order to find out how he
could help me from a side I already knew. But in the end he had
laid the book down with a cross face, remarking that he could
now understand that a person who interested himself in such
things would naturally find the art of archery uncommonly
difficult to learn.