I’ve written a poem in response to a zen koan. The Moon Thief will be published in the forthcoming spring issue of Urthona.
‘The Moon Thief ’ came out of an encounter with the koan in the poem’s epigraph: the great Zen poet Ryokan, meditating in a mountain hermitage, offers his clothes to a thief but cannot give him a full appreciation of the moon. Mark writes: ‘I was walking home from work and suddenly thought, “there’s another side to this story.” Working in and around the silences of the koan brought many scenes and characters over time.’
This long poem relates the quest of a drifter and thief desperately seeking a treasure that will heal his inner wounds. He stumbles upon Ryokan, the Japanese hermit poet. In this version, the chance encounter changes everything for the thief – but what will he find at the summit?
Here’s the original koan that inspired the poem.
A Zen Master lived the simplest kind of life in a little hut at the foot of a mountain. One evening, while he was away, a thief sneaked into the hut only to find there was nothing in it to steal. The Zen Master returned and found him. “You have come a long way to visit me,” he told the prowler, “and you should not return empty handed. Please take my clothes as a gift.” The thief was bewildered, but he took the clothes and ran away. The Master sat naked, watching the moon. “Poor fellow,” he mused, ” I wish I could give him this beautiful moon.”
Subscribe to Urthona: Journal of Buddhism and the Arts to read The Moon Thief. The next issue’s theme is ‘the beauty of friendship’ and it looks great.
Full use was made of the firelighters. Not so much the rest of it. Matthieu Ricard’s book would have given me much happiness in the form of blessed heat but it didn’t come to that.
The burner was one of those US Boxwood stoves. They look quite iconic and can fit a lot of wood inside. You leave the tray and flue open to get the fire going and then close the tray and twist the flue handle towards closed (horizontal) to keep the heat in the chamber and warm up the iron. It seems analogous to meditation somehow.
So the nights are getting longer. I was doing walking meditation in the library courtyard, feeling relaxed and yet self-conscious enough to walk at such an angle that the late shift librarian couldn’t see me from the café. He didn’t care, he was playing an electric piano, though I couldn’t hear it through the glass. Libraries are such important community spaces. My band used to practice on the sixth floor of the local library on Friday nights when we were too young for rehearsal studios (and pubs). Now I pace slowly backwards and forwards accompanied by a silent pianist. It’s a little surreal, I suppose.
Anyway, there I was shuffling up and down and the paving, walls, and surrounding buildings were lit with a kind of intense twilight that made everything more vivid. The deep blue sky contrasted starkly with the clouds, which were dyed candy-floss pink by the descending sun. Within five minutes, the light faded and suddenly night had crept into the scene. I remember seeing a similar vivid glow while camping in the Dart valley. My tent was surrounded by a carpet of fallen leaves which were suffused by hazy autumnal light. Similarly, on returning from a quick trip to the bothy, I was surprised to see the startling effect had already gone, replaced by limpid daylight. When you gotta go, you gotta go.
There’s something refreshing about the turn of the seasons, though I’m increasingly grateful for the return of the light after winter. This season of mists and mellow fruitfulness used to be a favourite but now I appreciate the change most of all. Probably twenty years ago, I was kicking leaves while walking through a village and saw a bookshelf and lamp in the window of a terraced house. That’s what I want, I thought. It’s funny how these blueprints stick and before you know it you’re on the other side of a window, fixing a broken bookshelf and surrounded by books and more books: many of which you haven’t read and have no time to read. Or at least it sometimes feels like it. But that’s OK. Moving south-west has been a big undertaking/adventure but the house is coming together, we’ve been extremely fortunate to find freelance work so far, and things like this meditation group are fostering a sense of connection to the area. I don’t know what the next change will be but I’m still excited to keep shuffling through the leaves and see what I find.